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About
Hell's Corners: Canto II
By
the time I'd finished the first book my intentions of submitting
it to a publisher had pretty much evaporated; indie snobbery was
infinitely more fun than constant rejection. So, without a publisher
printing costs hardly seemed like something that concerned me anymore,
which tempted me to open the Forbidden Door of Color.
However,
I still had delusions of maintaining Canto I's M/W/F update schedule,
and full color seemed prohibitively time-consuming if I gave it
any depth, while flat fills seemed like they'd just be a garish
mess of no definition. The compromise? Flat fills in limited, character-specific
palettes and a drab, sepia-like tint to all my grayscale backgrounds.
The result was just quirky enough to seem like a good thing, so
I stuck with it.
Visually
this is probably my favorite Canto so far, except where the character
color theme thing goes hideously awry in the garish vomit circus
that is page 23.
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